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Storytelling for Lawyers

Storytelling for Lawyers

  • 作者:
  • 出版商: Oxford University Press USA
  • ISBN: 9780195396638
  • 出版时间 March 2014
  • 规格: Paperback , 256 pages
  • 适应领域: International ? 免责申明:
    Countri(es) stated herein are used as reference only

List Price: ¥332.50

¥322.53 Save ¥9.98 (3%)

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  • 描述 
  • 大纲 
  • 作者 
  • 详细

    • Good storytelling is a necessity for trial lawyers, and this book explains how to do it
    • Author is a law professor who also holds a masters degree in creative writing from the University of Iowa Writers Workshop
    • Breaks narratives down into their fundamental parts to show how they work
    • Will be of interest to any lawyer struggling to craft a compelling story

    Good lawyers have an ability to tell stories. Whether they are arguing a murder case or a complex financial securities case, they can capably explain a chain of events to judges and juries so that they understand them. The best lawyers are also able to construct narratives that have an emotional impact on their intended audiences. But what is a narrative, and how can lawyers go about constructing one? How does one transform a cold presentation of facts into a seamless story that clearly and compellingly takes readers not only from point A to point B, but to points C, D, E, F, and G as well? In Storytelling for Lawyers, Phil Meyer explains how. He begins with a pragmatic theory of the narrative foundations of litigation practice and then applies it to a range of practical illustrative examples: briefs, judicial opinions and oral arguments. Intended for legal practitioners, teachers, law students, and even interdisciplinary academics, the book offers a basic yet comprehensive explanation of the central role of narrative in litigation. The book also offers a narrative tool kit that supplements the analytical skills traditionally emphasized in law school as well as practical tips for practicing attorneys that will help them craft their own legal stories.

    Readership: General readers, lawyers, law students.

  • Chapter 1 - Introduction
    I. Lawyers are Storytellers
    II. Legal Arguments are Stories in Disguise
    III. The Parts of a Story
    IV. Movies and Closing Arguments
    Chapter 2 - Plotting I: The Basics
    I. What is Plot?
    II. Plot Structure in Two Movies
    Chapter 3 - Plotting II: Plot Structure in a Closing Argument to a Jury in a
    Complex Torts Case
    I. The <"Back Story>"
    II. Annotated Excerpts from Spence's Closing Argument on Behalf of Karen
    Silkwood
    III. Concluding Observations
    Chapter 4 - Character Lessons: Character, Character Development, and
    Characterization
    I. Introduction: Why Emphasize Movie Characters in Legal Storytelling?
    II. What is Character, and Why Is It Important to Legal Storytellers?
    III. Flat and Round Characters and Static and Changing
    Characters-High Noon Revisited
    IV. Techniques of Character Development and Characterization-Excerpts
    from Tobias Wolff's This Boy's Life
    Chapter 5 - Characters, Character Development, and Characterization in a
    Closing Argument to a Jury in a Complex Criminal Case
    I. The <"Back Story>"
    II. Excerpts from the Opening: Act I-<"The Setup>" and <"Confrontation>"
    III. Concluding Observations
    Chapter 6 - Style Matters: How to Use Voice, Point of View, Details and
    Images, Rhythms of Language, Scene and Summary, and Quotations and
    Transcripts in Effective Legal Storytelling
    I. Back Story: Grading Law School Examinations
    II. Preliminary Note: <"Voice>" and <"Style>"
    III. Voice and Rhythm: <"Staying on the Surface>"
    IV. The Use of Scene and Summary: <"Showing and Telling>"
    V. Telling in Different Voices
    VI. Perspective or Point of View
    VII. Several Functions of Perspective: How Does Perspective (Point of View)
    Work, and What Work Does it Do?
    VIII. Concluding Observations
    Chapter 7 - A Sense of Place: Settings, Descriptions and Environments
    I. Introduction
    II. Dangerous Territory: Contrasting Settings Evoking Danger and Instability in
    Joan Didion's <"The White Album>" and the Judicial Opinion in a Rape Case
    III. More Dangerous Places Where Bad Things Happen: Use of Physical
    Descriptions and Factual Details to Create Complex Environments in W.G.
    Sebald's The Emigrants and the Petitioners' Briefs in Two Coerced Confession
    Cases
    IV. Settings and Environment as Villains and Villainy in the Mitigation Stories
    of Kathryn Harrison's While They Slept and the Petitioner's Brief in
    Eddings v. Oklahoma
    V. Concluding Observations
    Chapter 8 - Narrative Time: A Brief Exploration
    I. Introduction
    II. The Ordering of Discourse Time
    III. Concluding Observations
    Chapter 9 - Final Observations: Beginnings and Endings

  • Philip N. Meyer is Professor of Law at Vermont Law School.

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